There once was a flock of white doves that lived in the ledges at the top of the Spire of Castle Rock, near the Village of Oak Creek.
Each morning I would watch them circle the spire once, twice, and then disappear into the sunlit clouds. I waited for them. Their gentle flight set my world in order and welcomed me into the day.
Sometimes moments of beauty can be anticipated, and that makes them even more rich and unforgettable.
When you do fall into presence, you know it instantly, feel at home instantly. And being home, you can let loose, let go, rest in your being,
rest in awareness, in presence itself,
in your own good company. ~Jon Kabat-Zinn~
Each day comes bearing its own gifts.
Untie the ribbons.
~Ruth Ann Schabacker
Because my weekdays are filled with to-do lists and have-to’s, I cultivate a sense of slowing down on the weekends. The walks I take are longer. The pauses to talk to my cats are more frequent. I smell the air like a wild animal, not sure what the day will bring. It is a time of coming alive again, of thinking different thoughts, of letting my mind roam where it will.
In a way, I become a different person, a weekend person, looking for balloons flying high in the sky, listening for children’s laughter, and anticipating the smell of good coffee as I enter a cafe.
We all have the ability to look closer: when we do, our world becomes a richer place.
Water is valued in Arizona, and especially in the Verde Valley because it is so precious and life giving. But it can come in floods and sheets of downpour that tax the ability of the red, sandy soil to absorb it.
On a walk in the aftermath of a particularly heavy rainstorm, the damp clung to my shoulders. Chain saws cut down swathes of broken limbs and the city street sweepers made the roads passable—at least until that afternoon when the storms were predicted to roll in again.
The neighbors were out kibitzing about the storm damage. “I like the rain, but not so much,” said one. Another groused, “You ought to see my backyard—it’s a mess!” “It just whooshed down, all at once!” said a third.
A friend of mine likes to do his own bit terraforming with this gift from nature. Each morning after a good storm he is out with his pickup truck “harvesting” the red dirt drying in rippled patches across the hillside roads. In this way he both keeps the roads passable for others and is gradually building up his hillside in terraced plots bathed in sunset colors of ochre and terra cotta.
I once knew a man who lived on the edge of Wet Beaver Creek near Rimrock. He came into a bit of money and decided to improve a property at the edge of the creek. For weeks the ‘dozers plowed and shifted and mounded the soil just so, building a fine peninsula in the creek for his house to rest upon.
It was lovely little cottage, really, with wonderful sweeping 360 degree views. But it was an unusually wet season that year, and each storm undercut the newly formed bank a little more. Finally one day the mother of all storms hit, with two inches of rain in less than an hour.
The last I saw of that house, it was sailing merrily down a flood-swollen torrent of red muddy water. He never did rebuild, and the last I heard, the land was up for auction to another unsuspecting tourist wanting a piece of red rock country.
Those same sunset colors of pink and red and orange give depth and movement to the rock formations in rainy weather. After a storm, the Bell Rock sandstone formation is transformed by the water. The rock turns ominously dark, soaking up the moisture. When the storm is over, the rock releases the moisture in a cascade of short-term waterfalls that reflect the turquoise blue of the rain-washed skies overhead.
The trees also look cleaner after a storm, more green. A texture of pine cones and gray-green juniper berries drop after the rains to form windrows on the road surface. They skitter under the tires of passing cars and make walking uncertain at best.
Rocks wash down on the road, softball-sized pieces of rock that roll across the roads in crests of storm-driven water.
The drive up Oak Creek, from Pump House Wash to the canyon rim can be particularly treacherous as boulders as big as washing machines are undercut by the rains, and drop suddenly down on the road. They create sudden roadblocks to unwary drivers, cracking windshields and crushing fenders.
In red rock country, weather warrants our close attention. It is a shift of energy, a reminder of our human helplessness in the face of chaos. We can try to stand up against it, but water has its own way.
When I set out to write the Pegasus Quincy mystery series, I knew the first one, Death in Copper Town, had to take place in a mining town on the slopes of the Verde Valley. To make it realistic, I had to include the Ailanthus trees ubiquitous to that part of the Valley.
Apple trees in the old pioneer orchards make a surprise appearance in an upcoming Pegasus Quincy mystery, Silence in West Fork, to be published later this year.
Two trees on opposite ends of the Verde Valley bring together the spirit of the Verde Valley. One, the Ailantus altissima or Tree-of-heaven, populates the hilly streets of Jerome in the foothills of the Black Mountains to the south. The other, the humble apple tree, grows wild on the upper banks of Oak Creek Canyon to the north. Both have become a part of my life in Sedona.
First, the tree of heaven. If you travel up the mountain to Jerome in the spring, you’ll catch the “burned peanut butter” fragrance of golden blossoms. In the summer, the lacy green of the leaves frames the view across the Verde Valley like a Victorian lady’s parasol. Later in the fall, you’ll be surrounded by the crimson, sumac-like leaves drifting down to the worn limestone cobblestone streets of the old mining town.
The tree first became popular in eastern cities, because it was easy to grow and survived almost any kind of pollution. It became the title of Betty Smith’s book about family life in the tenements at the turn of the century, A Tree Grows in Brooklyn.
The air in the mining towns of the West was just as polluted. During the heydays of the copper mining, the smelter smog killed just about every living plant in Jerome. With the local pine and juniper decimated to shore up the mines, nothing remained to hold the soil and hillsides eroded. The town was endanger of slipping down into the Verde Valley below.
The “Tree of Heaven/Paradise Trees” that abound throughout the Upper Verde were part of a “re-greening” of the Verde Valley by Phelps Dodge when mining operations ceased in the 1950s.
Enter the ailanthus. It is an alien tree, first arriving in America from China in the 1700s. The tree is a survivor, thriving in the sulfur dioxide-infused soil of Jerome. It is also a selfish beastie, secreting a substance in its bark and leaves that, like the black walnut, inhibits growth of any other plants in the area. But the ailanthus likes the crumbling soil and arid conditions of Jerome, and it gives life-sheltering green to a town that was barren and dark after the mines left.
That being said, it’s not without drawbacks. According to Jeff Schalau, head of the master gardener’s program in the Verde Valley, “Most people start out liking the tree of heaven. It grows with little water, tolerates alkaline soils, and it creates shade. Most trees of heaven begin to produce seed at about 10 years of age. Male or female flowers are usually produced on separate trees.
“So, the after the 10 year honeymoon period, seedlings begin to come up everywhere. In addition, if the tree is damaged or cut down, then it begins to sprout from the roots. The tree of heaven also produces allelopathic chemicals that preclude other plants from successfully growing nearby.”
The second, the apple tree also came from China, arriving in America in the 1600s. It hitched a ride with the pioneers to Sedona a hundred years ago. Here it thrived on the banks of Oak Creek canyon in small orchards planted by early homesteaders. They would harvest the crops and trek wagon loads of apples up the steep canyon to Flagstaff to satisfy the hungry timberland workers living there.
Some years ago I helped my sister-in-law locate and map all of the old homesteads spread throughout the canyon. We found almost twenty old orchards, together with old trails once used by mountain lion and bear crossing the canyon.
The big predators are gone, but the trees remain. Many are on the outskirts of the tourist camp grounds: Manzanita, Pine Flats, Banjo Bill. You’ll see the cracked cement footings of an old cabin, some renegade lilac bushes, and these old craggy trees. If you look sharp you’ll spot them, interspersed in pine and fir stands near the water or tucked in at the edge of a penstamen-filled meadow.
Some have reverted to native stock, producing small sour apples, but others are loaded with green fruit, already ripening with a dusting of red. Come late September, they produce the best eating apples in the world, crisp and juicy, with a sweet snap as you bite into them.
Well almost the best. I think that distinction has to be the ones I stole from the neighbor’s orchard next door in the small South Dakota town where I grew up, a descendant of Scandinavian immigrants.
And in a way, these two trees, the apple and the ailanthus, are pioneers, too. They came from the other side of the earth and have adapted to surroundings very different from their native soils in China.
They are a legacy that makes the Verde Valley a very special place for all of us.
My father was a rock hound, so I developed my love of geology early. He’d bring home a new find and hand it to me proudly.
“This is schist,” he’d announce. Or, “Take a look at this snowflake obsidian!” His excitement was infectious, and I got excited, too.
So when I moved to Sedona, I felt right at home. There are a lot of rocks in Sedona. Most of them are red. Most of them have names. And over the years, they have become old friends, familiar and beloved.
At the Grand Canyon, or Bryce, or Zion, the formations have majestic names like Bridge of Sighs or Bright Angel Trail, or El Tovar, but in this red rock country, the names are more humble: Coffeepot Rock, Submarine Rock, Rabbit Ears, Lizard Head, Teapot, and the best of all, Snoopy Rock.
Sedona has a population of only fifteen thousand people, but over three million people visit every year. Sometimes foreign tourists come in tours, not speaking a word of English, but with guidebooks in hand. They’ll collar bystanders on Main Street and point to the page.
“Snoopy Rock? Where Snoopy Rock?” they demand.
At dusk, sometimes the sun will break out under brooding purple clouds illuminating one red rock formation after another. Amazing, memorable, never the same. It’s a great traveling light show, roaring across the horizon.
From the viewpoint at Airport Mesa, there’s a grand panorama of red rocks. People will start gathering about sunset, just to participate, together, in the magnificent vista.
Some the rocks around Sedona are Hollywood famous: Cathedral Rock was in any number of Westerns. On Highway 179, Bell Rock greets visitors coming into red rock country, looking just like, you guessed it, a liberty bell.
My favorite rock, though, is Slide Rock. I met this great place long ago, when I attended high school in Flagstaff. Back then, our favorite ditch day spot was the apple-orchard picnic ground and slippery red sandstone at Slide Rock.
There, a 30-foot slide of snowmelt water tumbles through a narrow, moss-covered chute dumping sliders into a pool of frigid water. The wise locals wear old jeans, because the chute rips apart ordinary swimsuits with one slide.
Right now, in winter, the red rocks peek out under a dusting of snow. But in my dreams, red rock country is forever summer under a full moon. Then, the red rocks glow white in the warm summer nights. Eerie and unforgettable.